Visual History with Jeremy Kagan
Interviewed by:Jeremy Kagan,Jay D. Roth
Jeremy Kagan began to follow cinema after watching Alexander Nevsky (1938) by Sergei Eisenstein in high school. After he graduated from Harvard University in 1967, he studied at New York University’s Tisch School of the Arts and was invited to attend the first class of the American Film Institute’s Conservatory program. While there, he directed The Love Song of Charles Faberman which won him the silver prize at the Malta Film Festival. After AFI, he began working as Director Frank Pierson’s assistant on the set of Nichols. It is here where he received his first opportunity to direct professionally.
Kagan has built an extensive career in both television and feature film. His credits include the box-office hits Heroes (1977), The Big Fix (1978) and The Chosen (1981). Other TV movie directing credits include Katherine (1975); Courage (1986); Conspiracy: The Trial of the Chicago 8 (1987); Descending Angel (1990); Judge Dee and the Monastery Murders (1974) and Crown Heights (2004). His most recent work includes Golda's Balcony (2007), the ten-part series The ACLU Freedom Files (2005), and the feature film Shot (2017).
Jeremy Kagan chairs the DGA’s Special Projects Committee and has served on the National Board of the DGA. He is the author of the book, Directors Close Up, based on the popular annual symposium he conducts with the nominees for the DGA Award in feature film directing. In 2004, Kagan received the Guild's Robert B. Aldrich Award for Extraordinary Service to the Guild.
Select Viewing Option:
Highlights


On a key scene in The Chosen
Director Jeremy Kagan speaks about a key scene in The Chosen in which he adjusted an actor’s performance to better reflect the character.
Jeremy Kagan / On a key scene in The Chosen
Director Jeremy Kagan speaks about a key scene in The Chosen in which he adjusted an actor’s performance to better reflect the character.


On the Special Projects committee
Kagan reflects on the value of the Special Projects committee to the Guild and the appreciation he feels for being a member and later chair of the committee since 1987.
Jeremy Kagan / On the Special Projects committee
Kagan reflects on the value of the Special Projects committee to the Guild and the appreciation he feels for being a member and later chair of the committee since 1987.


On the casting process
Kagan talks about his process when casting actors and why he puts an emphasis on redirecting an actor’s first interpretation of the character in the room.
Jeremy Kagan / On the casting process
Kagan talks about his process when casting actors and why he puts an emphasis on redirecting an actor’s first interpretation of the character in the room.
Visual History Interviews by Jeremy Kagan
34 Interview(s)