The three-time DGA award winner discusses cosmic injustice, what drives him, the art of collaboration and what comes next.
Faced with TV technology that casts their films in a distorted light, DGA members attempt to influence a more faithful representation of their work.
Director Nora Gerard and her team work hard to give viewers of
CBS News Sunday Morning the impression of a relaxed pace and a thoughtful mixture of soft features and hard news.
The protean director and DGA past president, whose work spanned genres and bridges the old and new Hollywoods, is far from the sad-sack hack depicted in the limited series
Feud.
As recent films by Spike Lee, Barry Jenkins and George Tillman Jr. have shown us, the fissures of the Civil Rights Movement of the '60s continue to spread, providing dramatic fuel for their unique visions.
The commercial work of Elma Garcia is notable for its visceral impact and striking imagery.
Damien Chazelle
Damien Chazelle revels in
Taxi Driver's nightmarish mix of music, subjective imagery and De Niro in his prime.
Demagogues, Charlatans and Hucksters
The maxim that "absolute power corrupts absolutely" is proven by history, providing particularly ripe subjects for filmmakers.
Fantasy and Reality Intersect in Chicago
In Rob Marshall's feature debut, his musical mastery reaches its apex in a pivotal production number.
Marielle Heller's Commitment to Character
Director Marielle Heller is a stickler for detail, which is driven by the inner life of her protagonists.
Sam Esmail
Sam Esmail, who's used to wearing three hats on
Mr. Robot, was able to concentrate on directing on the series
Homecoming.
Glenn Weiss
Director Glenn Weiss, in tackling the granddaddy of awards shows for the fourth consecutive year, exhibits nerves of steel.
The Big Picture, Condensed
Portable monitors allow directors to avoid video village and stay closer to the action