Who Owns the Future? is a cautionary tale, warning of an economic cataclysm and eradication of the middle class if the concept of “free” information keeps to its current trajectory

Alan Casty tackles the often frustrating paradoxes of a man whose fundamentally American films possess a darkness that reveal the complex ideology of their volatile director.

Critic Peter Rainer gives us a history of contemporary cinema; an insightful reflection on the evolution of the industry and the filmmakers who helped shape it.

Henry Jaglom and Orson Welles had lunch together reguarly in 1983 and Jaglom began taping their conversations—right up until Welles’ death.

As this Taschen volume makes clear, the Master of Suspense remains appealing to cineastes young and old, with 50-plus features underscoring his timeless ingenuity.

Author Gwenda Young makes the case that from the silent era to the golden age, Clarence Brown deserves a place among the giants.

Director Ernst Lubitsch, who was idolized by Wilder and Welles, is brought into sharp focus.

The making of George Stevens' Texas-sized epic is recounted in Don Graham's meticulously chronicled book.

As the newly scaled down yet no less comprehensive Taschen book Stanley Kubrick’s Napoleon: The Greatest Movie Never Made demonstrates, Kubrick was nothing if not a completist.