A magical dreamscape memoir of the acclaimed director's boyhood and coming-of-age as the son of movie star Geraldine Fitzgerald, and making his way in the worlds of theater, film, and television.

In this series of conversations held at the American Film Institute all aspects of work are discussed with men and women working in pictures, beginning in 1950 to Hollywood today.

Closely analyzing his films to date, Insdorf links Kaufman's versatile cinema by exploring the recurring and resonant themes of sensuality, artistic creation, and manipulation by authorities.

As this Taschen volume makes clear, the Master of Suspense remains appealing to cineastes young and old, with 50-plus features underscoring his timeless ingenuity.

Author Gwenda Young makes the case that from the silent era to the golden age, Clarence Brown deserves a place among the giants.

Director Ernst Lubitsch, who was idolized by Wilder and Welles, is brought into sharp focus.

The making of George Stevens' Texas-sized epic is recounted in Don Graham's meticulously chronicled book.

As the newly scaled down yet no less comprehensive Taschen book Stanley Kubrick’s Napoleon: The Greatest Movie Never Made demonstrates, Kubrick was nothing if not a completist.