FLTTA 2017

Freelance Live and Tape Television Agreement

The Freelance Live and Tape Television Agreement (FLTTA) covers live productions and projects shot on videotape made under an agreement with the Association of Motion Picture and Television Producers (AMPTP). This contract applies to Directors, Associate Directors and Stage Managers working in these areas.

click link to download PDF of the FLTTA as a single document

           p7   A.   Defintion of Terms
  p10   B.   Scope

           p14   A.   Directors
  p15   B.   Associate Directors
    p17   C.   Stage Managers
    p19   D.   Construction

            p21    

            p22    

            p23    

            p24   A.   Dramatic Programs
    p27   B.   Variety Programs
    p29   C.   Quiz and Game Programs
    p30   D.   Strip Programs  
    p32   E.   All Other Programs  
    p34   F.   Sports  
    p35   G.   News and Commentary Programs  
    p38   H.   Local Freelance Directors  
    p38   I.   Budget Table
    p39   J.   Segments
    p39   K.   Lead-Ins
    p40   L.   Talent Test
    p40   M.   Intended Broadcast Pattern and Adjustment of Director's Salary
    p42   N.   Pilots, Presentations and Workshops
    p46   O.   Additional Days
    p46   P.   Special Provisions Applicable to Serials
    p48   Q.   Compensation on Recall for Particular Services
    p49   R.   Double Length Episode
    p49   S.   Payment for Combined or Extended Programs
    p50   T.   One Director to a Prime Time Dramatic Program
    p51   U.   Literary Material
    p51   V.   Director Residency

            p52   A.   How Paid
    p53   B.   Additional Compensation for Reruns
    p58   C.   Rerun Payments
    p59   D.   Additional Compensation for Foreign Telecasts
    p66   E.   Basic Cable Exhibition
    p67   F.   Copyright Royalty Tribunal
    p67   G.   Residual Audits

            p69   A.   Commercials
    p69   B.   Promotional Announcements

            p70   A.    
    p78   B.    
    p91   C.   Safety
    p92   D.   ISAN Numbers

Part 1. Prime Time Dramatic Programs
            p93   A.   Minimum Salaries
    p96   B.   Other Working Conditions
    p110   C.   Duties
    p112   D.   Budget Disclosure
    p112   E.   Termination
    p113   F.   No Credit or Offset
Part 2. Programs Other Than Prime Time Dramatic Programs
            p114   A.   Associate Directors
    p114   B.   Stage Managers
    p115   C.   Associate Director/Stage Manager Combination (where permitted)
    p115   D.   Hours of Work
Part 3. Provisions Applicable to all Associate Directors and Stage Managers
            p121   A.   Employment Criteria for Associate Directors and
Stage Managers
    p122   B.   Preparation Time
    p124   C.   Cancellation of Calls
    p124   D.   Vacations
    p124   E.   Meal Period
    p124   F.   Confirmation of Employment
    p125   G.   Production Reports
    p125   H.   Replacement
    p126   I.   Elimination of Duplicate Contributions for Associate Directors/
Review of Associate Director Rest Periods
    p126   J.   Work in the New York Metropolitan Area
    p127   K.   Camera Placement for Awards Programs

           p128   A.   Pension
  p129   B.   Health

            p131   A.   Trust Agreements
    p131   B.   Trustees
    p131   C.   Delinquent Contributions
    p131   D.   Arbitration
    p132   E.   Loan-Outs
    p132   F.   Claims Period

            p134    

            p135   A.   Contracts
    p137   B.   Employment
    p138   C.   Individual Contracts
    p139   D.   On or About

            p140   A.    
    p140   B.    
    p140   C.    
    p140   D.    
    p141   E.    

            p142   A.   Television Credits
    p147   B.   Credits to Determine Controversy Over Credits
    p147   C.   Notice of Credits

            p148   A.  
    p148   B.  
    p148   C.  

            p149    

            p150   A.   Policy
    p150   B.   Reports
    p151   C.   Representatives
    p151   D.   Arbitration
    p152   E.   Diversity Meetings

            p153   A.   Matters Subject to Grievance and Arbitration
    p154   B.   Grievance Procedure
    p155   C.   Arbitration Procedure
    p160   D.   Expedited Arbitration Procedure
    p162   E.   Arbitral Remedies
    p163   F.   Court Proceedings
    p165   G.   Withdrawal of Services

            p166    

            p167    

           p168   A.  
    p170   B.    

            p183   A.   Programs Covered
    p183   B.   Definitions
    p185   C.   Supplemental Market Distribution other than by Cassettes
    p189   D.   Supplemental Market Distribution on Cassettes
    p193   E.   Participating Employees
    p194   F.   Reports and Manner of Payment
    p197   G.   Assumption of Obligations
    p199   H.    
    p199   I.    

            p200    

            p201    

            p202    

           p203   A.  
    p203   B.  
    p203   C.    

            p204   A.   Applicability of this Article
    p206   B.   Directors' Minimum Salaries
    p210   C.   Residual Compensation for Pay Television
and Videodisc/Videocassette Exhibition
    p212   D.   Residual Compensation for Pay Television,
Excluding (i) Pay-Per-View and (ii) Sports
and Non-Staged Event Programs
    p225   E.   Residual Compensation for Pay Television Exhibition
(Including Pay-Per-View) of Sports and
Non-Staged Event Programs
    p227   F.   Residual Compensation for Pay-Per-View Exhibition
Other Than Sports and Non-Staged Event Programs
    p227   G.   Residual Compensation for Videodiscs/Videocassettes
    p228   H.   Residual Compensation for Exhibition of
Covered Programs in Other Markets
    p231   I.   Miscellaneous Provisions
    p237   J.   Application of Free Television Provisions

            p238   A.   Distributor's Assumption Agreement -
Television Reruns, Basic Cable Exhibition, Foreign
Television Exhibition, Theatrical Exhibition and
Supplemental Markets Use
    p246   B.   Financial Assurances
    p248   C.   Qualified Residual Payors
    p250   D.   Buyer's Assumption Agreement
    p259   E.   Security Interests – Effect on Buyer's Rights
    p260   F.   Qualified Buyer

            p262   A.   Terms and Conditions for High Budget Dramatic Programs
One-Half Hour or More in Length Made Primarily for
the Basic Cable Market
    p269   B.   Terms and Conditions for Low Budget Dramatic Programs
One-Half Hour or Longer Made Primarily for the
Basic Cable Market
    p269   C.   Terms and Conditions for High Budget Variety Programs
Made Primarily for the Basic Cable Market
    p272   D.   Terms and Conditions for Other Entertainment Programs
Made Primarily for the Basic Cable Market

            p273    

            p275       Qualified Residual Payor Letter of Agreement

            p279       Standard Letter of Guaranty

            p282       Instructions; Employment Data Report

            p285       Subscriber Rates for Programs Made for Pay Television Services with Fewer
than 6,000,000 Subscribers in the First Exhibition Year of the Program

            p292       Subscriber Rates for Programs Made for Pay Television Services with 6,000,000
or More Subscribers in the First Exhibition Year of the Program

    p299        Accountable Receipts Plateau 
            p299   A.   High Budget Programs
    p299   B.   Dramatic Programs
    p300   C.   Dramatic Programs
    p301   D.   Quiz and Game Programs
    p302   E.   Strip Programs
    p303   F.   All Other Programs (Including Segments of Reality-Type Programs)
    p304   G.   News and Commentary Programs

            p305   Associate Director and Stage Manager Deal Memorandum 

            p307   Director Deal Memorandum 

            p309    re “Included Days” 

            p310   Employment on Commercials

            p313   re Assignment of UPMs on Tape Programs 

            p314   Testing of Television Tape and Film Programs on CATV Systems

            p315   Network Prime Time Dramatic or Variety Summer Programs

            p316   Programs Produced Primarily for the Basic Cable Market

            p319   Peremptory Challenges to Arbitrators

            p320       re Director Employed on a Non-Dramatic Program Assigned to Direct Scenes
for a Strip Quiz and Game or Strip Variety Program

            p321   re Security of Employees Working at Film Lots or Network Facilities in Los Angeles 

            p322       re Second or Subsequent License of High Budget Dramatic Programs
Made for Basic Cable to the Same or a Different Basic Cable Service

            p324       re New Residual Formula for One-Hour Network  
Prime Time Dramatic Series in Article 7.B.1.(c)(i)

            p328   re Distributor's/Buyer's Liability for Residuals; Notice and Opportunity to Cure Default  

            p329   re Employment Criteria for Associate Directors and Stage Managers  

            p330   re Exhibition of Programs Transmitted Via New Media 

            p343   re DGA, Inc. 

            p348   re Los Angeles Panel of Arbitrators for Major Studios and Networks 

            p350   re Arbitration of Disputes Concerning Tri-Guild Residuals Audits 

            p365       re License of Free Television, Basic Cable or Pay Television Motion Pictures
or Motion Pictures Made for Home Video to Secondary Digital Channels

            p367       re Experiment in Syndication of Half-Hour Series in Markets
Representing 50% or Fewer of U.S. Television Households

            p369   re Terms and Conditions for New Non-Prime Time Multi-Camera Dramatic Programs 

            p370   re Address Verification / Local Hires 

            p372   re Diversity  

            p373   re Virtual MVPD Services 

            p376   re Diversion of Pension Plan Contributions 

            p377   re "Supersized" Episodes 

            p388   re Over-the-Top Delivery of Pay Television Services 

            p389   [Deleted]  

            p390   re Programs Produced for New Media  

            p407   re Serious Misconduct 
Contact
FLTTA - LA, DGA Contracts Line (310) 289-2010
contracts@dga.org
FLTTA - NY, Michael Berger (212) 258-0802
mberger@dga.org
MOA - BA/FLTTA 2020

Click the image above to see the negotiated changes to the 2017 DGA Basic Agreement and Freelance Live and Tape Television Agreement for the term beginning July 1, 2020.

Archives: 2014 Freelance Live and Tape Television Agreement